Franklin Williams

Franklin Williams (b. 1940 in Ogden, UT; lives and works in Petaluma, CA) is a critical yet underrepresented Bay Area figure whose work defies the parameters of the Funk, Nut, Visionary and Pattern & Decoration movements. Since the early 1960s, the artist has maintained an idiosyncratic approach to art-making, creating intricately constructed sculptures, paintings, and works on paper using a range of techniques and processes, including stitching yarn and crochet thread directly into his supports. Influenced by household craft traditions and historical styles of ornament, Williams’s deeply personal work—rich with material and conceptual experimentation—addresses elemental themes of sexuality and desire, fantasy and reality, life and death.

Recent solo exhibitions include those held at The Bell, Brown University, Providence, RI (2024); Garth Greenan Gallery, New York (2024); Parker Gallery, Los Angeles (2022, 2019, 2017) and the Sonoma County Art Museum, Santa Rosa, CA (2017). In 1967, the artist’s work was included in the legendary Funk exhibition organized by Peter Selz at the Berkeley Art Museum. Recent group exhibitions include Nuts and Who’s: A Candy Store Sampler, San Jose Museum of Art, San Jose, CA (2023); To the Max! di Rosa Center for Contemporary Art, Napa, CA (2023); Lover Earth: Art and Sexuality, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY (2020); With Pleasure: Pattern and Decoration in American Art 1972–1985, Museum of Contemporary Art, Los Angeles (2019, travels to the Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY); Less is a Bore: Maximalist Art & Design, Institute of Contemporary Art, Boston (2019); and Jean Conner, Wally Hedrick, Deborah Remington and Franklin Williams, Karma, New York (2017). His work is held in the collections of the Los Angeles County Museum of Art; Minneapolis Institute of Art; Museum of Contemporary Art, Los Angeles; Oakland Art Museum; Pennsylvania Academy of the Fine Arts; San Francisco Museum of Modern Art; San Jose Museum of Art; and the UC Berkeley Art Museum and Pacific Film Archive, among others.

News

Sixties Surreal
Whitney Museum of American Art, New York
September 24, 2025–January 29, 2026


Exhibitions

Frieze London

Oct 11 – Oct 15, 2023

Wishing Well

Jun 25 – Aug 5, 2023

Franklin Williams
Meditative Spectacle: Paintings 1974–76

Nov 6 – Dec 23, 2022

Art Basel

Jun 17 – Jun 26, 2020

Franklin Williams
The Inimitable Professor Emeritus

Oct 27 – Dec 21, 2019

Dilexi Gallery
Seeking the Unknown

Jun 15 – Aug 10, 2019

Independent

Mar 7 – Mar 10, 2019

Art Los Angeles Contemporary

Jan 25 – Jan 28, 2018

Franklin Williams
1963–1973

Sep 17 – Nov 4, 2017

Nut Art

May 28 – Aug 5, 2017

Store

Dilexi: A Gallery & Beyond

Hardcover
452 pages
11 3/8 x 11 3/8 inches (28.8 x 28.8 cm)
By Laura Whitcomb
With texts by Peter Frank, Jim Newman, Gene Youngblood, Jay Sanders and Antoine Thirion
Published by Label Curatorial
December 2021

$150

Simply Free: A Created, Discovered, Awakened, Original Mind

Perfect bound, 104 pages
9 1/2 × 6 1/2 inches (24 × 16.5 cm)
Text by Franklin Williams, Cambria Williams
Introduction Stuart Williams
Design by Purtill Family Business
Edition of 500
Purple Gate Press
June 2021

$20

Less Is a Bore: Maximalist Art & Design

Paperback, 224 pages
Edited by Jenelle Porter
Published by The Institute of Contemporary Art/Boston
2019

Eye Fruit: The Art of Franklin Williams

Perfect bound, 44 pages
12 1/4 × 10 1/4 inches (31.1 × 26 cm)
Text by Susan Landauer
Museum of Sonoma County, Santa Rosa, CA, 2018

Franklin Williams: 1963-73

Envelope, 33 pages
12 × 9 inches (22.8 × 30.5 cm)
Essay by Eli Diner
Design by Folder Studio
Edition of 250
Parker Gallery
September 2017

$30


Press

October 30, 2024
Whitehot Magazine
Franklin Williams’ “It’s About Love” at The Bell Gallery
March 1, 2023
Artforum
Review: Franklin Williams at Parker Gallery
June 18, 2020
Artsy
The 10 Best Booths at Art Basel in Basel Online
February 26, 2020
Artnews
Here's the 2020 Exhibitor List for the World's Biggest Art Fair, Art Basel
January 8, 2020
Frieze
The Tender Refuge of Franklin Williams’s Woven Self-Portraits
December 18, 2019
In Other Words
Change in the West: LA's most exciting art was found beyond the museums
December 6, 2019
Artforum
Franklin Williams at Parker Gallery
September 10, 2019
Hyperallergic
Your Concise Los Angeles Art Guide for Fall 2019
March 8, 2019
Hyperallergic
The Independent Art Fair Embraces Color and Abstraction
March 7, 2019
The New York Times
Armory Fair Week: Your Survival Guide
January 22, 2018
Fabrik Magazine
Parker Gallery - Franklin Williams: 1963-73
December 20, 2017
Hyperallergic
Best of 2017: Our Top 20 Exhibitions Across the United States
December 14, 2017
Bomb Magazine
Looking Back on 2017: Art
December 10, 2017
Hyperallergic
Four Bay Area Iconoclasts and Eccentrics
December 9, 2017
Artcritical
Painterland: Four From California
November 1, 2017
Flash Art
Franklin Williams at Parker Gallery
October 23, 2017
Artforum
Franklin Williams
August 30, 2017
Hyperallergic
The Intimate Abstractions of Franklin Williams, an Unsung Master from the ’60s
August 6, 2017
Contemporary Art Daily
“Nut Art” at Parker Gallery
July 14, 2017
Hyperallergic
Revisiting the Witty Work of 1970s Bay Area Nut Artists
June 15, 2017
Contemporary Art Review LA
Nut Art at Parker Gallery