Franklin Williams: It's About Love
The Bell, Brown University, Providence, RI
September 19–December 8, 2024
Franklin Williams (b. 1940 in Ogden, UT; lives and works in Petaluma, CA) is a critical yet underrepresented Bay Area figure whose work defies the parameters of the Funk, Nut, Visionary and Pattern & Decoration movements. Since the early 1960s, the artist has maintained an idiosyncratic approach to art-making, creating intricately constructed sculptures, paintings, and works on paper using a range of techniques and processes, including stitching yarn and crochet thread directly into his supports. Influenced by household craft traditions and historical styles of ornament, Williams’s deeply personal work—rich with material and conceptual experimentation—addresses elemental themes of sexuality and desire, fantasy and reality, life and death.
Recent solo exhibitions include those held at The Bell, Brown University, Providence, RI (2024); Garth Greenan Gallery, New York (2024); Parker Gallery, Los Angeles (2022, 2019, 2017) and the Sonoma County Art Museum, Santa Rosa, CA (2017). In 1967, the artist’s work was included in the legendary Funk exhibition organized by Peter Selz at the Berkeley Art Museum. Recent group exhibitions include Nuts and Who’s: A Candy Store Sampler, San Jose Museum of Art, San Jose, CA (2023); To the Max! di Rosa Center for Contemporary Art, Napa, CA (2023); Lover Earth: Art and Sexuality, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY (2020); With Pleasure: Pattern and Decoration in American Art 1972–1985, Museum of Contemporary Art, Los Angeles (2019, travels to the Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY); Less is a Bore: Maximalist Art & Design, Institute of Contemporary Art, Boston (2019); and Jean Conner, Wally Hedrick, Deborah Remington and Franklin Williams, Karma, New York (2017). His work is held in the collections of the Los Angeles County Museum of Art; Minneapolis Institute of Art; Museum of Contemporary Art, Los Angeles; Oakland Art Museum; Pennsylvania Academy of the Fine Arts; San Francisco Museum of Modern Art; San Jose Museum of Art; and the UC Berkeley Art Museum and Pacific Film Archive, among others.
Hardcover
452 pages
11 3/8 x 11 3/8 inches (28.8 x 28.8 cm)
By Laura Whitcomb
With texts by Peter Frank, Jim Newman, Gene Youngblood, Jay Sanders and Antoine Thirion
Published by Label Curatorial
December 2021
$150
Perfect bound, 104 pages
9 1/2 × 6 1/2 inches (24 × 16.5 cm)
Text by Franklin Williams, Cambria Williams
Introduction Stuart Williams
Design by Purtill Family Business
Edition of 500
Purple Gate Press
June 2021
$20
Paperback, 224 pages
Edited by Jenelle Porter
Published by The Institute of Contemporary Art/Boston
2019
Perfect bound, 44 pages
12 1/4 × 10 1/4 inches (31.1 × 26 cm)
Text by Susan Landauer
Museum of Sonoma County, Santa Rosa, CA, 2018
Envelope, 33 pages
12 × 9 inches (22.8 × 30.5 cm)
Essay by Eli Diner
Design by Folder Studio
Edition of 250
Parker Gallery
September 2017
$30